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I was on my way to the Freer Gallery's Writing, Carving and Rubbing: China's Calligraphic Arts. A peaceful quiet gallery providing a cool refuge from the heat and crowds outdoors contained examples of Chinese calligraphy. Inscriptions on animal bones and tortoise shells made for purposes of divination morphed into lines of communication and became one of the four arts .
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The exhibit traces the development of the six major types of script which began with oracle-bones between the 14th and 11th centuries B.C.E. Having read Peter Hessler's Oracle Bones I was delighted to be able to see an example of a turtle shell with the carvings - only to read the description which identified the carvings as a good fake. At least I got to see what it was supposed to look like!
The scripts - which continued sequentially with Se
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But get this: because none of the rubbings, paintings or carvings are translated as part of the exhibit, I was forced to look at them purely as visual art and ignore their original content. The lines on the paper took on meanings to me through the feelings I experienced while looking. No words or thoughts got in the way.
Twice in one day.
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